| |
 THEMES
|
While engaging the audience in a moving narrative,
the film articulates a number of timely themes. Among these
are: |
| THE REVOLUTION CONSIDERED AS CIVIL WAR |
 |
|
"You display
a side of the Revolution that people today scarcely know anything about -- that
it was a fratricidal war of great ferocity." |
| |
|
|
John
Murrin, Professor of History, Princeton
University |
| GENDER ROLES |
|
|
| |
"I
especially appreciated the complex portrayal of Mary Silliman -- the way her
active taking of initiatives... coexisted in balance or tension with her
acceptance of gender-role expectations for women in the family and in
society. |
|
 |
| |
|
Nancy
Cott, Professor of History and American Studies, Yale
University |
|
|
| RELIGIOUS CULTURE |
 |
|
"My
particular area of concern is with religious culture and the moral dimensions
of Mary's dilemma. On both counts, the film, succeeds
beautifully." |
| |
|
|
Stephen
Marini, Professor of Religion, Wellesley
College |
| SOCIAL AND FAMILY HISTORY |
|
|
| |
"(Mary
Silliman's War) is the single best depiction of eighteenth-century New England
family life I have ever seen." |
|
 |
| |
|
Fred
Anderson, Associate Professor of History, University of
Colorado |
|
|
| |
|
|
|
| |
"I think you
have portrayed the divisions of this society more accurately than other period
films... And the little details are terrific in giving a sense of daily
life." |
|
|
| |
|
C.
Dallett Hemphill, Assistant Professor, Ursinis
College |
|
|
|
|